Technosound Logo
Digital Mixers
Sonicview 16 6
Sonicview 16 5
Sonicview 16 4
Sonicview 16 2

Sonicview 16

Code: 6459

Interactive Digital Mixing Station

including 19% VAT Excluding VAT (For shipments to Non EU countries, or intra community upon VIES Validation) price, to be calculated during checkout

Pre-Order

Enquire to be notified upon availability

years

The New Way of Mixing
Surprisingly Intuitive and Easy

Tascam has a long history of high-quality recording products and digital mixers, culminating in the legendary DA-88 eight-track modular multi-track recorder and the DM-4800 digital mixer, a workhorse combination that once set a new standard. With Sonicview, Tascam has created an entirely new line of digital mixing consoles that incorporate the latest technology and make it easy to view and control all of the parameters you want, when you want, with fullyly customisable touchscreens and user-definable buttons, motorised faders and intuitive control software.

Sonicview recording consoles integrate beautifully with the rest of your system, thanks to built-in Dante networking, a 32-bit/96-kHz multi-channel USB audio interface and plenty of inputs and outputs. No-compromise audio quality and a 54-bit floating-point FPGA mixing engine combines with ample signal processing, an expansion slot for additional connectivity and wireless remote control to make Sonicview mixers the next-generation choice for recording studios, remote recording, touring, installed sound and broadcasting.


 

    • Tascam VIEW (Visual Interactive Ergonomic Workflow) interface allows intuitive operation with three different view modes.
    • Multiple displays with two 7-inch colour touchscreens.
    • 44 input channels (40 mono, 2 stereo).
    • 22 flexible output buses plus main L/R bus with 31-band graphic EQ.
    • 54-bit float-point FPGA mixing engine, 96 kHz sampling rate.
    • Ultra-low latency: 2× Fs (20.8 μs) in mixing engine, 0.51 ms analogue-to-analogue.
    • 32-bit/96 kHz A/D and D/A conversion.
    • Tascam HDIA (High-Definition Instrumentation Architecture) microphone preamplifiers.
    • Built-in Dante interface (64 inputs/outputs); supports redundancy, AES67, DDM and SMPTE 2110.
    • 32-bit/96 kHz USB audio interface (32 inputs/outputs).
    • 16 mic/line inputs (up to +32 dBu), 16 XLR line outputs with flexible routing
    • Four multi-effects processors.
    • Tascam Sonicview Control software for Windows, macOS and iPadOS enables remote control and off-line editing.
    • Two Tascam expansion slots
    • Optional 32-track SDXC recorder, MADI, AES/EBU and analogue I/O cards available for the second slot.


    Other Features:

    • Operating systems for hardware mixing surface and mixing engine are independent of each other for high stability and continuous audio flow.
    • Faders can be individually removed and replaced, top panel can be disassembled without disconnecting cables for easy servicing.
    • Library for snapshots, effects, modules, parametric EQ, graphic EQ, gate, compressor.
    • 18 assignable user keys, seven custom fader layers, eight DCA groups.
    • 16+1 100-mm motorised faders.
    • 16 encoder knobs with colour LEDs.
    • 16 LC displays with colour LEDs for channel name, input level and gain reduction meter.
    • Internal 2-track recording/playback with SD card or USB flash drive.
    • 8 TRS line inputs, 2 RCA stereo input pairs, XLR talkback input.
    • XLR monitor outputs.
    • Standard (6.3-mm) and mini (3.5-mm) headphones outputs.
    • Word clock In, Out/Thru.
    • 1000BASE-T gigabit Ethernet.
    • 8-in/8-out GPIO on DB25 connector.
    • TRS footswitch connector.
    • XLR 4-31 lamp connector.
    • Power switch with guard.
    • Optional Dante-enabled stage box with 16 inputs/outputs (SB-16D).
  • Inputs: 52 audio channels (40 mono, 2 stereo, 4 stereo effect returns)
  • Busses: 32 (22 Aux/Group switchable mix busses, 1 stereo main bus, 4 stereo send busses)
  • Built-in effects: 4
  • At 96 kHz: 152 maximum
  • At 48 kHz: 248 maximum
  • Mic/Line (XLR): 16
  • Line (RCA): 4 (2 × stereo)
  • Dante: 32 (96 kHz), 64 (48 kHz)
  • Expansion cards: 2 × 32 (96 kHz), 2 × 64 (48 kHz)
  • USB audio: 32
  • Built-in player: 2 (1 × stereo)
  • Oscillator: 1
  • Talkback: 1
  • At 96 kHz: 148 maximum
  • At 48 kHz: 244 maximum
  • Line (XLR): 16
  • Dante: 32 (96 kHz), 64 (48 kHz)
  • Expansion cards: 2 × 32 (96 kHz), 2 × 64 (48 kHz)
  • USB audio: 32
  • Monitor output (analogue): 2 (1 × stereo)
  • Built-in recorder: 2 (1 × stereo)
  • Analogue insertion points: 2 (Mic/Line inputs 7–8)
  • Mixing engine: 54-bit floating-point, 96 kHz
  • A/D converters: 32 bit, 96 kHz
  • D/A converters: 24 bit, 96 kHz
  • Digital I/O sampling rate: 96 kHz, 48 kHz
  • Mic/Line inputs (balanced, MIC/LINE): XLR-3-31 (1: GND, 2: HOT, 3: COLD)
  • +12 dBu (TRIM at minimum, Pad off)
  • +32 dBu (TRIM at minimum, Pad on)
  • –62 dBu (TRIM at maximum, Pad off)
  • –42 dBu (TRIM at maximum, Pad on)
  • 6.3-mm standard TRS jacks (Tip: HOT, Ring: COLD, Sleeve: GND)