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Mic Pres & Processing
ISA One Rear c0551c9224ce90811caf9b6475d0bb17

Focusrite

ISA One

Code: 779

Classic Single-channel Analog Microphone Pre-amplifier with Independent D.I.

Price: €798.00
Price: €798.00
BUY Online: €668.00
BUY Online: €668.00
You Save €130
You Save €130
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The ‘ISA One’ microphone pre-amplifier delivers Focusrite's prestigious ISA transformer-based pre-amp in a rugged and portable chassis, at a groundbreaking price. ISA One features the classic vintage microphone pre-amplifier topology from the original ISA110 module, including the Lundahl L1538 transformer and bespoke zobel network. (The original 110 pre amp formed the cornerstone of each channel of Focusrite's legendary Forte console.) The pre-amp is complemented by a line input (XLR and TRS Jack) and an independent D.I. channel, complete with dedicated gain control, active or passive impedance switch, a TRS Jack output for routing to an amp and an independent XLR output on the rear. This flexible independent D.I. makes the ISA One ideal both for engineers wishing to blend a D.I.’d guitar signal with a mic’d guitar cabinet, and for demanding performers who require a single classic solution for both guitar and vocals. A variable impedance circuit has been added, allowing the user to switch between four carefully selected input impedance settings.

In addition to the original ISA110 impedance, three further impedance settings allow perfect matching, or creative mismatching of the pre amp with any microphone. ISA One also features an insert point, should the need arise to place extra processing between the pre amp or D.I. and the optional converter. Phantom power, phase reverse and a 75Hz, 18dB/octave high-pass filter are also available from the angled front fascia. Independent input metering for both channels is provided in the form of a moving coil VU meter with variable calibration to suit analogue and digital recording media, alongside two six-LED peak meters; inputs can be metered either pre- or post-insert. The meter calibrations utilise all the same reference points as Digidesign's Pro Tools HD system, allowing effortless line-up. ISA One’s headphone output features a dedicated volume control, which delivers an external stereo cue mix, (a simple click track, or a stereo mix feed from an interface or a live console,) fed to the headphones via two TRS jack inputs on the rear of the unit. An optional state-of-the-art stereo A-D converter is also available (the same card as used with the ISA430 Mk II), embodying cutting-edge conversion technology seated within Focusrite’s custom analogue circuitry. This optional card can be retrofitted at any time and provides two channels of 24 bit/192kHz A-D conversion with a dynamic range of 119dB.

    • ISA Series Transformer-based Pre-amplifier Encased in a rugged and portable chassis, ISA One offers the classic Focusrite microphone pre-amplifier at its lowest cost to date.
    • Flexible Independent D.I. Channel ISA One is ideal for both engineers and demanding performers alike, featuring independent gain control, an output for routing to an amp, an independent XLR output on the rear and routing to the optional ADC.
    • Switchable Impedance Choose one of four carefully selected input impedances, including the original ISA 110 setting, to suit any microphone.
    • Optional Stereo 192kHz ADC This optional card embodies cutting-edge conversion technology, incorporating Focusrite analogue circuitry to deliver the best A-D performance in its class (Dynamic range of 119dB).
    • Rugged Custom Flight Case Built to protect your ISA One from the rigors of the road. Rugged plywood construction with a solid polypropylene exterior and reinforced corners.
    • Headphone Output with Volume Control ISA One can feed either a sum of the two inputs to the headphones output, or an external stereo cue mix (such as a stereo mix feed from an interface) via two TRS Jack inputs on the rear of the unit.
    • Dedicated Insert Point Allows you to place extra processing between the pre-amplifi er or D.I. and the optional converter, such as an EQ or compressor.
  • MIC INPUT RESPONSE
  • Gain Range (Mic): 0dB to 60dB in 10dB steps 20 dB of variable gain
  • EIN (Mic): -126dB measured at 60dB of gain with 150 Ohm terminating impedance and 22Hz/22kHz band-pass filter.
  • Noise (Mic): Noise at output with unity gain (0 dB) and 22 Hz-22 kHz band pass filter-97 dBu
  • Signal-To-Noise Ratio (Mic): 106 dB relative to max headroom (9dBu)
  • Frequency Response (Mic): At minimum gain (0 dB)-0.5dB down at 10Hz and -3dB down at 125kHz
  • CMRR (Mic): 98dB (Channel 1, 1kHz, maximum gain with 24 dBu input)
  • Crosstalk Channel To Channel (Mic): With 10dB@1kHz input to chA, chB output =104dBrA. With 10dB@10kHz input to chA, chB output = 84dBrA.
  • LINE INPUT RESPONSE
  • Gain Range (Line): -20dB to 10dB in 10dB steps 20 dB of variable gain
  • Input Impedance (Line): 10 kO from 10 Hz to 200 kHz
  • Total Harmonic Distortion Noise (Line): Measured with a 0 dBu input signal, and a 22 Hz-22 kHz band pass filter0.0001
  • Frequency Response (Line): At unity gain (0 dB)-0.3dB down at 10Hz and -3dB down at 200kHz
  • INSTRUMENT INPUT RESPONSE
  • Gain Range (Instrument): 10dB to 40dB continuously variable
  • Input Impedance (Instrument): High = greater than 1M Low =greater than 300k
  • THD (Instrument): At minimum gain ( 10)
  • HIGH-PASS FILTER
  • Roll-Off: 18 dB per octave (3 pole filter)
  • Frequency: Fixed 75Hz measured at the 3dB down point
  • WEIGHT AND DIMENSIONS
  • W X D X H : 220mm (W) x 104mm (H) x 254 - 290mm
  • Weight: 3.9 kg